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Solo Exhibitions |
2020 |
Betty Cuningham Gallery, New York, NY, October – November |
2017 |
Ink and Paper, Betty Cuningham Gallery, New York, April |
2009 |
Clytie Alexander, Betty Cuningham Gallery, New York, NY, February, March |
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Clytie Alexander: Diaphans, Sarah Moody Gallery of Art, The University of Alabama, Tuscaloosa, AL
April-May
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2008 |
Diaphans, (catalogue), Galleria Peccolo, Livorno, Italy, June |
2007 |
Diaphans, (catalogue), Greenfield Sacks Gallery, Santa Monica, CA, December |
2006 |
Diaphans, Toomey-Tourell Gallery, San Francsico, CA, June |
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Diaphans, Greenfield Sacks Gallery, Santa Monica, CA, February |
2004 |
Perforations, Marina Urbach, curator, Other Projects, New York, NY |
2002 |
L’Atelier in Galleria Clytie Alexander: in situ, Galleria AAM, Rome, Italy |
2001 |
“The Deer in The Dream” e altri dipini e lavori su carta 1995-2001, (catalogue) Galleria Architettura Arte Moderna, Milan and Galleria Peccolo, Livorno, Italy, June |
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Clytie Alexander, (catalogue), The Ben Shahn Galleries, William Paterson University, Wayne, NJ, February |
2000 |
Clytie Alexander-works on paper, Sarita Dubin Fine Art, Tokyo, Japan |
1999 |
Europa America, AAM Galleria Architettura Arte Moderna, Rome, Italy |
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Recent Paintings and Drawings, New Arts Program, Kutztown, PA |
1998 |
Narada II, (catalogue), Galleria Architettura arte moderna, Milan, Italy |
1997 |
Narada I, (catalogue), Spazio Callaghan, Milan, Italy |
1994 |
The Fire in The Lacquer House, Victoria Anstead Fine Art, New York, NY |
1992 |
New Abstract Paintings, Sharon Truax Fine Art, Los Angeles, CA |
1991 |
New Sculpture, Sharon Truax Fine Art, Los Angeles, CA |
1989 |
Landscapes/Seascapes, Saxon-Lee Gallery, Los Angeles, CA |
1982 |
New Paintings, Ruth S. Schaffner Gallery, Santa Barbara, CA |
1980 |
Clytie Alexander, Ruth S. Schaffner Gallery, Santa Barbara, CA |
Two Person Exhibitions |
2019 |
Clytie Alexander Raoul Hague (1904 Constantiople - 1993 Woodstock, NY). Exhibition poster and brochure with text. Stephen Holl and Susan Wides, curators. Introduction Steven Holl. ‘T’Space Rhinebeck, Rhinebeck, NY |
Selected Group Exhibitions |
2020 |
EFAbstract, Bill Carroll, curator. Exhibition catalogue. (With Vicky Colombet, Sally Egbert, Suzan Frecon, Katinka Mann, Heather Bause Rubenstein, Suzanne Song, Dannielle Tegeder, Marjorie Welish.) Elizabeth Foundation Project Space, New York. January – March |
2017 |
Articulate, David Cohen, curator. Art3/Schabelewska Gallery, Brooklyn, NY. April- May |
2016 |
Works on Paper, Christian Duvernois Gallery, New York. Nov – February |
2015 |
Navigating Abstraction, Christian Duvernois Gallery, New York. July - September |
2014 |
Women Choose Women Again, Mary Birmingham, curator. With Lois Dodd, Yvonne Jacquette, Joan Synder, et al.. (catalogue). Visual Arts Center of New Jersey, Summit, NJ. Commemorating 40th Aniversary of Women Choose Women. Jan - April |
2013 |
Everything Loose Will Land; 1970s Art and Architecture in California, curated by
Sylvia Lavin (catalogue), MAK Center/Schindler House, Los Angeles, May–August, part of Getty Initiative, Pacific Standard Time Presents; Modern Architecture in L.A. travels to Yale School of Architecture Gallery, September- November, travels to Graham Foundation for Advanced Studies in the Fine Arts, Chicago May-July 2014 |
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Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, May |
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Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York, NY, March |
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Brodsky Center Annual Exhibition 2012-2013, Mason Gross Galleries, Rutgers University, New Brunswick, NY, January |
2012 |
You Don't Know Jack, from the collection of Jack Brogan: Clytie Alexander, Peter Alexander, Larry Bell, Lynda Benglis, Chris Burden, John Eden, Robert Irwin, John McCracken, Helen Pashigian (catalogue), Katherine Cone Gallery, Los Angeles, CA, May |
2011 |
Less is More, curated by Katherine B. Cone in celebration of “Pacific Standard Time; Art in L.A. 1945-1980” (with Edith Baumann,, Larry Bell, Scott Heywood, Jow, Sol Lewitt, Bertril Petersson, Anthony Sneed and Samuel Stabler), Subliminal Projects, Los Angeles, October |
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Fall Spotlight, 222 Shelby Street Gallery, Santa Fe, NM October- December |
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THAW: Group show of selected works by gallery artists, Betty Cuningham Gallery, New York, March |
2010 |
The Shape of Space; Clytie Alexander, Edith Baumann, Norbert Prangenberg, 222 Shelby Street Gallery, Santa Fe, NM, June |
2009 |
Cutters, (catalogue) The Leubsdorf Art Gallery, Hunter College Art Galleries, New York, NY, January – March; travels to: Hunterdon Museum Art Museum, Clinton, NJ, February – June |
2008 |
Ten, Toomey-Tourell Gallery, San Francisco, CA, July |
2007 |
Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY, May |
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Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York, March |
2006 |
Contrapunto, The BAU Institute Gallery at Richard Sena Projects, Hudson, NY, Marina Urbach and Paola Iacucci, curators (with Caspar Henselmann, Peter Lynch, Marthe Keller et al) |
2005 |
Off the Wall, Greenfield Sacks Gallery, Santa Monica, CA (with Charles Arnoldi, Daniel Buren, Bodo Korsig, Louise Nevelson) |
2004 |
Live on Paper, MCS Gallery, Easton, PA (with Jon Yau, Max Gimblett, Ralph Lemon, Dan Hurlin) |
2003 |
Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY, May |
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Visiting Artists, Hopkins Hall Gallery, The Ohio State University, Columbus, OH, April |
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Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York, NY, March |
2002 |
Selected Work From the Permanent Collection, Harwood Museum of Art, Taos, NM |
2000 |
Un Milione, Galleria Architettura arte moderna, Milan, Italy |
1997 |
After The Fall: Aspects of Abstract Paintng Since 1970, Newhouse Center for Contemporary Art, Staten Island, NY (Lilly Wei, curator) |
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Parallels and Crossings: A View of Geometric Paintings, Bard College, Annandale-on-Hudson, NY |
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Limit/Less, Victoria Anstead Fine Art, New York, NY |
1996 |
Reductive Abstraction: An Invitation to Silence, Victoria Anstead Fine Art, New York, NY |
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Bugs, Beasts, Birds and creatures of the water (Hope Alexander, curator), Greenfield Sacks Gallery, Santa Monica, CA |
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Photographing the L.A.Art Scene 1955-1975, (catalogue). Craig Krull Gallery, Santa Monica, CA |
1994 |
Painting as Subject and as Painting, Tavelli Gallery, Aspen, CO |
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Contemporary Abstract Painting, John Grant Gallery, Denver, CO |
1993 |
The Summer Show, Michael Walls Gallery, New York, NY |
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A Grand Tour, Swiss Institute New York, New York, NY |
1992 |
The Frame: Multiplied and Extended, Bank of America Gallery, Costa Mesa, California, CA |
1991 |
The Mystic Landscape, curated by Irit Krieger, Biota Gallery, Los Angeles, CA |
1989 |
From the Back Room: Gallery Artists, Saxon-Lee Gallery, Los Angeles, CA |
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Five Los Angeles Artists, Alitash Kebede Fine Art, Los Angeles, CA |
1986 |
Pasadena Collects the Art of Our Time, (Malinda Wortz, curator) Art Center College of Design, Pasadena, CA |
1985 |
1+1=2, (catalogue) University of California Irvine, Irvine, CA |
1984 |
Gallery Artists, Ruth S. Schaffner Gallery, Santa Barbara, CA |
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Artists’ Choice, Cirrus Gallery, Los Angeles, CA |
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The Finals, Jan Baum Gallery, Los Angeles, CA |
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Gallery Artists, Thomas Babeor Gallery, La Jolla, CA |
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30 Los Angeles Painters, Metropolitan Transportation Commission, Los Angeles, CA |
1983 |
10+10+10, Los Angeles Institute of Contemporary Art, Los Angeles, CA |
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Gallery Artists, Ruth S. Schaffner Gallery, Santa Barbara, CA |
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Gallery Artists, Thomas Babeor Gallery, La Jolla, CA |
1982 |
Third and Sunset, Venice, Gensler and Associates, Los Angeles, CA |
1981 |
land.scape, (Tamara Thomas, curator), Cohen and Ziskin. Los Angeles, CA |
1978 |
New Gallery Artists, Ruth S. Schaffner Gallery, Santa Barbara, CA |
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